The first time Natalie Portman speaks in Jackie, Noah Oppenheim’s arthouse semi-biopic about former first lady Jackie Kennedy Onassis, is three minutes into the movie. It’s a week after John F. Kennedy’s assassination, and a journalist from Life magazine has come to the Kennedys’ home in Hyannis Port, Massachusetts, to interview her. He offers his condolences. Portman, a startling amalgam of cheekbones, sharp brows, and a thicket of root beer-colored hair, lets out a breathy, biting rebuke.
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