Michelangelo Antonioni’s 1966 film Blow-Up features a wayward London fashion photographer called Thomas who unwittingly documents a murder. Hidden in the blurred background of one of his most recent photographs is a detail so obscured by shadows and foliage that, at first, Thomas does not even see it. Only after he repeatedly blows up the image, zooming in over and over again on this otherwise minor feature, is the disturbing truth revealed: a terrible crime has been committed and this photograph has made Thomas an unexpected witness.
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